Music

Tenet | Movie Review

Saturday, 10 October 2020

 This movie was sitting, waiting to go for quite a while. We know that COVID pushed it back and that for a while the hype behind it claimed that it was going to single handedly save cinema. Theaters were hurting due to lockdown and this was the film that was going to bring everyone back. But it didn't go that way. America didn't get the pandemic under control and movie after movie got pushed back to 2021 and beyond. Some were released straight to VOD. But Tenet came out anyway. Here's my review.

Quick note. If audio is more your thing, I talked about this film as well as my experience going back to theaters on my podcast Future Flicks with Billiam which can be found anywhere you listen to podcasts. Look for Return to Theaters and Tenet Review - Ep 183



Armed with only one word, Tenet, and fighting for the survival of the entire world, a Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time. (Premise from IMDB).

This stars John David Washington (BlacKkKlansman), Robert Pattinson (The Twilight Saga), Elizabeth Debicki (Everest), Kenneth Branagh (Murder on the Orient Express), Aaron Taylor-Johnson (Godzilla), Himesh Patel (Yesterday), Michael Caine (The Dark Knight), and Indian actress Dimple Kapadia. It was written and directed by Christopher Nolan who did Inception and The Dark Knight trilogy.

Let's be honest, You know if you like Christopher Nolan's work already. If you like movies at all you've seen something he's done and by now you should know your feelings on his work. The question now is, how confusing is it?



Before the movie came out there were quite a few stories of the actors having no idea what the film was even about or how things worked within it, but that could have just been Nolan's strategy from preventing leaks. Michael Caine was only given his scene to work with and given nothing else of the plot. John David Washington was only allowed to read the script in Nolan's locked office. So the fact that no one on the cast really had a clue, doesn't surprise me.

I do have to be honest though, this film took a while for me to get into for one good reason. This begins faster than a coked up greyhound race and the protagonist (he's never given a name) just kind of goes along with it and knows what to do. He's told about the word tenet, he's introduced to a scientist that tells him how the weird time stuff works, he's told what he has to do, and he's just sent on his way without anything else. It's a jarring beginning to a film that could have used a little more to start with. The film was already two and half hours, would ten more minutes of exposition really been that bad?

But that aside, I eventually go it. I understood what was going on in the movie and I felt confident watching the film that I wasn't missing anything hugely important. I have no doubt that a rewatch will reveal even more to me, but one time through didn't leave me with any unanswerable plot related questions. 



The acting was phenomenal. John David Washington is the new hotness and he's already ready to explode. I wouldn't be surprised if he surpasses his dad in pure acting talent. His dad is Denzel Washington, if you didn't know. Robert Pattinson is further escaping his Twilight/Harry Potter past and showing us he's much more than a teen heartthrob, and everyone else involved was, at the very least, good. There were no wooden or lackluster performances in this movie. 

The cinematography was astounding with no wasted shots. Not once did I stop to wonder why we saw a certain scene or why anything was needed. Christopher Nolan knew what he wanted and it translated flawlessly to the screen. Nolan is no stranger to CG or other computer aided movie telling tools, but what sets him apart is his use of conventional means. Remember the scene in Inception when Joseph Gordon Levitt was walking up the walls? Do you also remember that was real and they built a rotating set for it? That's the kind of stuff that sets Nolan apart from other blockbuster directors. For certain scenes the actors had to learn how to speak backwards, they had to learn how to fight backwards, a lot of this was done conventionally and that will only add to the film's longevity. 

 Tenet was fantastic. I loved it. I loved it even more once I got passed the slightly confusing beginning. Do I love it more than Inception or The Dark Knight trilogy? Maybe not. But this was a fantastic film that was well worth a watch. Yes, you should watch this. Yes, you should own this, and yes, you should watch this more than once.

Tenet gets a 10 out of 11


The Best Movie Scores

Tuesday, 19 November 2019


A lot of my non-review blogs are usually ideas from my wife. She’s been a blogger longer than I have and is much better at it so she comes up with ideas that don’t revolve around me having to rely on reviews. One of her ideas, and the one I’m embracing today, is sharing some of my favorite songs from movies. I do plan on talking about both musical scores and more popular music put on soundtracks. 





Before we continue, I just want to share with you my distinction between musical scores and soundtrack songs. For my personal definition, a musical score is any classical song written for the movie to be used as an accompaniment to any scene. A very popular example is the Imperial March from Star Wars. That’s the song usually attributed to Darth Vader. A song for the soundtrack will be any song you’d also hear on the radio (non-classical station of course). As an example both Logan Lucky and Kingsman: The Golden Circle used Country Road by John Denver.Country Road. That, of course, was a song before the movies ever came out.



So without further ado, let me share with you three of my favorite scores from movies. 



Star Trek: First Contact - Main Theme composed by Michael Giacchino




 Not just any of the Star Trek themes. While I do love them all and will eventually talk about them in other posts, for this first one I want to focus The Next Generation film from 1996. There are a couple reasons for this. The first is that I believe that the main theme from First Contact merges very well with the theme from the show. If you listen to the beginning of the song it starts the same way the TV show intro does and then triumphantly changes into the new theme expressing how the show lead to the movies. The other reason I picked this song to talk about first is that First Contact is my favorite Star Trek film. The 2009 reboot and Star Trek IV: The Voyage Home are close seconds and thirds, but First Contact did a better job of capturing the magic and spirit of the show.





Flight from the Man of Steel soundtrack by Hanz Zimmer.




Hanz Zimmer is the best thing to happen to movie scores since John Williams. If you look through a list of movies he’s scored you’re bound to find one of your favorites. The best thing about Flight is that it’s exciting without feeling like cheesy trailer music. It does start out slow but it’s triumphant, it’s moving, it makes me feel brave. It’s the perfect embodiment of Superman. Man of Steel wasn’t well received as a movie and I get that. I happen to love it because it does a wonderful job of capturing the spirit and the magic, of the boy from Krypton who was raised to be the best humanity has to offer. Damn, that’s a good line. Don’t be surprised if I write a blog defending Man of Steel and I use that same line.The song is 4 minutes and 13 seconds and it starts out slow and easy like Clark's youth then at the 1:28 mark it starts to pick up





Princess Mononoke - Journey To The West by Joe Hisaishi

Another movie from the 90s and one of my favorites of all time. Whenever I think of moving classical scores I think of Joe Hisaishi’s work on Princess Mononoke. Even though I love the film, I think the epic score helped solidify its place on the top of my list. There are three times this moving song is featured in the film, but it’s use as an accompaniment for a travel montage for Ashitaka and Yakul (his steed) as he leaves his village and I think it's the best use of the song. The theme captures the wonder of the film and the heart behind the story.




There you have it. The first three songs in what I hope will be an ongoing series. Do you have any favorites? Share them and I'll bring them up in the next installment. 


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